Emotion and the Narrative – Feelings from Writing
Maybe it’s just me. It could be. A lot of things are. But does anyone else who writes out there sometimes find their feelings about a certain scene or story they’ve written can be unduly influenced by how they were feeling when they wrote it?
Take Grim. Please. Yes, I know that sounds odd, to speak
thus of one of the characters of my own work. But the trouble is – I associate
him with trouble. I think I must have spent more time on that section of The Disposable, the scenes with Grim at
his Fortress, than any other part of the book. Certainly, with only the
possible exception of the opening of the second book of my trilogy (we’ll get
to that some later day!), it’s the most rewritten and the most problematic
scene I’ve ever written. Grim the Dark General has been through so many
incarnations, so many different ways of responding and being that I honestly
struggle to remember which one I ended up with. I’m still not even entirely
sure to this day that it’s right. In my head, I’m not sure it ever can be.
And so, whenever I read that scene back now, I get that
heavy associated feeling of difficulty. I remember the struggle it was to write
it, how many times I had to write it and the frustration of it all. That scene
and I have been through too much together for me to read it impartially.
On the other hand – there are the joys. The days when the
writing just flowed. The days when it was easy, when the characters pretty much
wrote themselves. I love re-reading those scenes – I get a big smile on my
face. The scene with the AFCs by the waterfall is one of those – I had so much
fun that day, it was ridiculous. And then there’s Dullard’s first scene – I
came to him having struggled and fought my way through Grim (and not as it
turned out for the last time) and it was like he was just there, fully formed
and waiting politely in the wings for me to notice him and usher him on stage. He
sprang effortlessly to life and took the story on with him and I was so
grateful to him for that.
I can’t help these associations. They’ll always be there.
But the matter I can never quite resolve with myself is – can anybody else
tell?
I always assume somehow that dissatisfaction must leave its
mark on a scene. And perhaps it does. But that isn’t always the case. Back in
my fanfiction writing days, being a fool, I didn’t like the idea of leaving
people hanging on my longer stories and so committed myself to regular updates
– two chapters a week initially, reducing to one as life crowded in. And once
I’d announced that, there was an obligation. So when I became ill during the
writing of one, I nonetheless had to press ahead. And I associated the chapters
I wrote over those tough weeks with strife and trouble and didn’t think much of
them. But then, years later, I came back and re-read that story, having
forgotten by then which specific chapters had been the offending ones and found
I couldn’t tell which ones they had been. Certainly the association had tainted
my opinion of the quality of the writing.
Do I have a point? I’m not entirely sure, to be honest with
you. I just find it interesting the way the memory of feelings can affect
judgement of quality. I can’t say I’ve ever read a book and thought – “oooh,
the author was having a bad day when they wrote that scene” and yet I still
can’t quite escape the paranoia with my own work that people can tell. I don’t know if anyone else, be it
writer or reader, can relate to this. I don’t know if people really can tell. Because
as I said – maybe it’s just me...
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